Posts Tagged Christabel Pankhurst

Suffrage Stories: Murder, Suicide, and Dancing: Or What Might Have Brought Mrs Pankhurst to 62 Nelson Street?

60 (on the right) and 62 Nelson Street, Manchester – The Pankhurst Centre

I hope those acquainted with my website will also be aware of the existence of the Pankhurst Centre in Manchester. If so, you will know that the Centre comprises two houses, 60 and 62 Nelson Street, the only buildings from the original early 19th-century street still standing, surrounded by the ever-expanding complex of Manchester Royal Infirmary. That the adjoining villas, built c 1840, are still there is due only to the fact that it was at number 62 in October 1903 that Mrs Emmeline Pankhurst founded the Women’s Social and Political Union. The buildings were listed Grade 2* in 1974 to save them from demolition.

Mrs Emmeline Pankhurst and her children, Christabel, Sylvia, Adela, and Harry moved into 62 Nelson Street, Chorlton-on-Medlock, Manchester, in the autumn of 1898. Her husband, Dr Richard Pankhurst, had died in the summer, on 5 July, leaving very little money, and his family was forced to economise by moving from their home, 4 Buckingham Crescent, Daisy Bank Road, Victoria Park, into a property cheaper to rent.

Mrs Pankhurst could have moved to any area of Manchester, so why was 62 Nelson Street chosen as the new family home?

In 1894 Mrs Pankhurst had been elected to the Chorlton Board of Guardians as a Poor Law Guardian, an unpaid position. Now, in the summer of 1898, she had to earn enough to support herself and her family and so on 30 August she resigned and, instead, accepted the offer made by the Board of Guardians of the post of salaried registrar of births, marriages, and deaths for Chorlton-on-Medlock.

Chorlton had been urbanized in the early 19th c, when streets of terraced houses were built to house the workers required to operate the large mills newly erected alongside the River Irwell. It was an area very much less salubrious than Victoria Park, but Nelson Street, off Oxford Road, was more refined than most surrounding streets. It was also a street that was well-known to the two eldest Pankhurst daughters.

I have never seen any mention in Pankhurst biographies and autobiographies of this apparent coincidence, but it was at number 60 that Christabel and, I think, Sylvia, had been regular visitors, students at the dancing school run by Mrs W. Webster and her brother. Although the name of the dance teachers does appear in Sylvia Pankhurst’s The Suffragette Movement, she makes no mention of the school’s address. Sylvia wrote:

‘We learned dancing from the Websters, an old dancing family in Manchester, and Christabel, who hitherto had never cared much or long for anything, roused herself to unexpected efforts to excel everyone in the class’. Sylvia suggests that Christabel, whom her mother intended should be a dancer, had taken lessons for several years before becoming ‘suddenly tired of the project’ around the time she was 16, that is in 1896.

In the years between 1890 and 1896 the dancing academy was run by Mrs W. Webster and her brother. Until his early death in 1890 the dancing master had been William Hilton Webster and the school had then been continued by his widow. She was Ellen Marianne Webster (née Goodman), who had been a cousin to her husband. For reasons that are unclear, her brother, Archie, changed his name from Goodman to Webster, perhaps to capitalize on the ‘Webster’ name, which, as Sylvia suggests, had long been synonymous in Manchester with ‘dance’, as William Hilton Webster’s father had been a dance teacher there from the 1870s. William Webster had moved to 60 Nelson Street in 1884, taking over the premises and goodwill of another dancing master, ‘Monsieur Paris’.

Christabel would have been taught by either or both Ellen and Archie Webster. The lessons offered were not for ballet dancing, but general classes for ballroom dancing and private classes for waltz, skirt,and serpentine dancing. Although I have no evidence, it strikes me that it must have been the latter types of semi-burlesque dance that, according to Sylvia, Mrs Pankhurst hoped Christabel would – as’ a professional devotee of Terpsichore’ – perform in the great cities of the world. A studio photograph of Christabel posed, with pointed foot, holding up with both hands material from her long, flowing dress, is exactly illustrative of a skirt dance. It was taken in Geneva in the summer of 1898 and is reproduced in June Purvis’ biography of Christabel.

Widowed Ellen Webster had four young children, two boys and two girls, and in 1893 remarried, her second husband being Charles Joseph Rourke, a cotton waste merchant. It was presumably during the next couple of years or so that Christabel and, perhaps, Sylvia were attending classes. They may still have been doing so when, in October 1895, 60 Nelson Street hit the headlines in newspapers around the country. Ellen Webster had committed suicide, murdering the elder of her sons at the same time. She had poisoned herself and both sons, but the younger recovered. Her daughters were at a boarding school in Sale, Cheshire, and although she had sent a servant to bring them home, apparently with the idea of killing them as well, their arrival was delayed, and they were saved. The inquest returned a verdict of murder and suicide, due to temporary insanity. The funeral of poor Ellen Webster and her son was held at St Aloysius Church, Ardwick, where she had been married a couple of years earlier.

Thus, in 1898, when Emmeline Pankhurst was looking for a house to rent, she would have been well acquainted with Nelson Street, not only as the address of the dancing school that her daughters had attended but as the site of a very recent Manchester tragedy.   

Concert at Schiller Anstalt Institute, 1895 (courtesy of Manchester Central Library Collection)

Besides the dancing school Nelson Street contained another cultural centre at number 66 – the Schiller Anstalt Institute – a centre for the large Manchester German community. The Institute was housed in a building that had been converted from domestic use in 1886 and now offered a concert hall and gymnasium, holding a regular programme of lectures and musical activities [For more information about the Institute see here.] The Institute did not close until 1911 and it may well be that, as it was so close by, members of the Pankhurst family did occasionally attend an event there.

Between number 62 Nelson Street and the Schiller Anstalt Institute, number 64 was a large, detached house, once the home of a mayor of Manchester, but now, known as Nelson House, run as a private nursing home. This may explain why, when, previously, number 62 had been advertised for rent it was deemed ‘suitable for a medical man’.

Number 62 was described as offering ‘Three entertaining rooms, five bedrooms, dressing room, bath, w.c. and well-appointed domestic offices’, large enough for Emmeline to devote one room (presumably one of the ‘entertaining rooms’), as her registry office. The bedrooms were under pressure on the night of the 1901 census, for sleeping in the house were Emmeline and her four children, together with her two brothers, Walter and Herbert Goulden, the latter’s son, and the family’s two servants, the cook, Ellen Coyle (of whom Sylvia speaks very fondly) and Mary Leaver, the housemaid. I imagine that the Pankhurst children were made to share rooms, but presumably that was unusual and, now ranging in age from 20 to 11, they normally had a little more space to themselves. It’s difficult to imagine Christabel and Sylvia being happy to share, but doubtless on occasion they were forced to.

The situation only eased in the autumn 1904. Mrs Pankhurst placed an advertisement in the Daily News, ’Wanted, for art student. One or two Rooms, furnished or unfurnished. Near South Kensington Museum. Terms Moderate.’ The reply address was ‘Pankhurst, 62 Nelson Street, Manchester.’ Sylvia was off to London, to study at the Royal College of Art, freeing up a bed in the family home.

In October 1907 advertisements for 62 Nelson Street once more appeared in the press, in the Manchester Courier, indicating that the house was again to let. Emmeline Pankhurst, who had formed the Women’s Social and Political Union in the kitchen just four years earlier, had already left for London to join her daughters, Sylvia and Christabel, who had brought the fight for the vote to the capital.

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Collecting Suffrage: Portrait Postcard Of Christabel Pankhurst, c. 1908

Head and shoulders photographic portrait of Christabel Pankhurst, probably dating from c. 1908.

She is  wearing a rather attractive loose, square-necked dress, with her hair up in her characteristic knot. When Kate Frye attended a meeting of the Actresses’ Franchise League addressed by Christabel in February 1910 she commented, ‘Her hair was very untidy and I think would suit her so much better done low than on top in an ugly little knob.’ But I always think the hint of dishevelment is rather endearing.

The postcard is captioned ‘Miss Christabel Pankhurst. The National Women’s Social and Political Union. 4 Clement’s Inn, WC’, indicating that it was issued after some members, led by Mrs Charlotte Despard, broke away to form the Women’s Freedom League in the autumn of 1907. For a time they hoped to keep the ‘WSPU’ name, which led the Pankhursts to rename their faction ‘The National WSPU’.

The card was published by Sandle Bros. and would have been for sale in WSPU shops. This copy came from a collection put together by three suffragette sisters.  Fine – unposted – £40 + VAT in UK and EU. Email me if interested in purchasing. elizabeth.crawford2017@outlook.com

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Suffrage Stories: The First Women General Election Candidates, 1918: Christabel Pankhurst

21 November 2018 marked the 100th anniversary of the passing of the Parliament(Qualification of Women) Act, by which women were for the first time able to stand for election as members of Parliament.

It was only earlier in the year, on 6 February, that some women (over 30 and fulfilling a small property qualification) had at long last been granted the parliamentary vote and now, as the Great War had come to an end, women actually had the prospect of sitting in the House of Commons.

The short bill, passing rapidly through all stages of the parliamentary process with little opposition, granted the right to stand for election to all women over the age of 21, although any woman of that age would have been unable to vote. A curious situation.

With a general election called for 14 December, there was little time for women to organize election campaigns, but in the event 17 women took to the hustings. Over the next couple of weeks I’ll tell you something about each one of these pioneers, taking them alphabetically.

This is the fourteenth:

Christabel Pankhurst, 1918

Miss Christabel Pankhurst, who stood as the Women’s Party candidate at Smethwick, the only woman to be given the Coalition government’s ‘coupon’.

Christabel Pankhurst (1880-1958) had been one of the leaders of the Women’s Social and Political Union as it campaigned for votes for women before the First World War. During the war she had worked alongside her mother, Emmeline Pankhurst, and with Flora Drummond and Annie Kenney, to aid Lloyd George’s war efforts. She was vehemently anti-Asquith, attacking him in the pages of Britannia (the successor to The Suffragette) as pro-German.

In 1917 the Pankhursts relaunched the WSPU as The Women’s Party, the programme of which was based on ‘equality of rights and responsibilities in the social and political life of the nation’. During 1917 and 1918 the Women’s Party campaigned in the industrial heartlands, particularly in South Wales, advocating industrial peace and warning against the dangers of Bolshevism.

When Christabel Pankhurst stood for parliament at Smethwick in 1918 her platform was to:

secure a lasting peace based on obtaining material guarantees against future German aggression

to improve the social conditions of the working classes by a levelling up in society

by industrial salvation and wealth production

to crusade against Bolshevism and ‘shirkers’

Christabel began her two-week campaign in Smethwick at the end of November 1918. At a meeting her mother, Emmeline Pankhurst, explained that Smethwick had been chosen because it was a new constituency – with no sitting member to be aggrieved when the Women’s Party won the seat. As a reward for fighting what Lloyd George termed ‘the Bolshevist and Pacifist element’ Christabel was given a coveted ‘coupon’ of coalition endorsement – and praised the chivalry of the Unionist candidate, who also had a ‘coupon’ but who withdrew to give her a clear run.

Voting took place on 14 December but it was a further two weeks before the results were announced and, in the meantime, Christabel gave her final speech of the campaign on 17 December – not in Smethwick but in London. Her last words, reported in what turned out to be the final edition of Britannia – were –

‘I would not change places with any other MP, because it is like a little bit of the heart of England, is this Smethwick. You have there an intensely patriotic people, a highly progressive people, including a body of working people who have not forgotten that they are citizens as well as workers…It is now for us to rouse ourselves and prepare ourselves for a year more full of duty and of high endeavour than we have ever known since we were born.’  

But it was not to be. Christabel was defeated, polling 8614 votes to the Labour candidate’s 9389. She never repeated the experience, nor again became involved in politics, eventually moving to the USA and devoting herself to Second Adventism.

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All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 

 

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Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: Christabel Pankhurst In Her Office In Clement’s Inn

To celebrate the release on 12 October of the film ‘Suffragette’  (for which I was an historical consultant) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Christabel Pankhurst photographed in her office in Clement's Inn

Christabel Pankhurst photographed in her office in Clement’s Inn

The postcard was published by H. Sergeant of Ladbroke Grove and the photograph would have been taken on the occasion of his visit to Clement’s Inn in 1910/1911 when he also photographed Mrs Pankhurst in her office.

Christabel’s room – or at least that section of it in shot – betrays little of the homeliness that her mother had added to hers – although there is a vase of flowers on the desk. Behind her is a bookcase filled with serious-looking books – as befits a lawyer – with a page from Votes for Women pinned to it.

While Christabel looks directly at the camera, her young secretary keeps working, bent over her notebook, pen in hand.

Suffragette Film Poster 2

 

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Suffrage Stories/Collecting Suffrage: Countdown To 12 October And Release Of The Film ‘Suffragette’: ‘Elusive Christabel’

To celebrate the release on 12 October of the film ‘Suffragette’  (for which I was an historical consultant) I will post each day an image of a suffrage item that has passed through my hands.

For my current catalogue – No 189 – which contains a good deal of suffrage material – as well as general books and ephemera by and about women – see here.

Today’s image:

Elusive Christabel

Elusive Christabel

‘Elusive Christabel’ is an optical toy produced by the Flashograph Co in 1912. It alludes to Christabel Pankhurst’s escape to France in March 1912 as the police closed in on Clement’s Inn and arrested the other leaders of the Women’s Social and Political Union and charged them with conspiracy to commit criminal damage.

When – as commanded – you move the paper control ‘up and down gently’ the scene changes to this:

Elusive Christabel 1

The WSPU had a lot of fun at the expense of the police, publishing photographs of Christabel in Votes for Women and asking readers to guess where she might be. The Flashograph Co clearly had an eye for topicality.

Needless to say ‘Elusive Christabel’ lives up to its name and is exceptionally elusive nowadays. I’ve only ever had one pass through my hands in over thirty years of dealing in suffragette material.

Suffragette Film Poster 2

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Suffrage Stories: Christabel, The Ballot Box And That Hat

Christabel ballot 1909

Pretend you are taking a GCSE paper. One of questions states that this picture shows Christabel Pankhurst casting her first parliamentary vote. You have to decide whether this statement is true or false.

What clues might you find to point you in the right direction?

Actually there is one so glaring that I am amazed that it can be overlooked. Have a look at her attire.

Q.When were women of Christabel’s age able to vote for the first time?

A. December 1918.

Q. Does that dress and hat look like an outfit suitable for going to the ballot in December of any year?

A. Hardly.

Q. Are the hat and dress of a style worn in 1918?

A. Most definitely not.

Q. So – if not 1918 when might that flowing gown and flower-bedecked bonnet have been in the mainstream of fashion?

A. Spring 1909.

Yes, that is the correct answer.

In fact the photograph shows Christabel casting a vote in a ballot box that was one of the main features of the WSPU Fair at the Prince’s Skating Rink, Knightsbridge, that ran between 13-26 May 1909. As Votes for Women, 23 April 1909, stated ‘A unique feature of the Exhibition.. will be the polling booth which will occupy one of the corners of the great hall. At this booth women as well as men will cast their votes upon many of the most interesting questions of the day.’ And that is what we see Christabel doing.

And as for that hat? It does strike one as a little incongruous. She isn’t usually seen in anything so maidenly frivolous. And so it is interesting to know that the hat was a gift to her from Frederick Pethick-Lawrence. Moreover when, in the late 1950s, after Christabel’s death, he came to prepare her autobiographical manuscript for publication (Unshackled:the story of how we won the vote)  it was a photograph of her wearing his hat that he used for the frontispiece.

I have been amazed how this photograph, described as Christabel casting her first parliamentary vote, has been tweeted and retweeted. It was even used in Amanda Vickery’s ‘Suffragettes Forever’ BBC 2 programme to accompany the voice over telling us that women first voted in December 1918. How this thoughtless use of an incorrect image (by no means the only one) jarred.

Click here to see what Christabel looked like as she campaigned in Smethwick in late 1918 – for she was, of course, both a candidate and a voter. She is centre left in the photo – and you’ll be relieved to see that she is sensibly dressed – complete with muff – to combat the winter chill.

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Suffrage Stories: 100 Years Ago Today – 17 July 1914: The National Portrait Gallery and Thomas Carlyle

One hundred years ago today – on 17 July 1914 – a suffragette, Margaret Gibb, who also went by the name of Ann Hunt, took a cleaver to a portrait of Thomas Carlyle that was hanging in the National Portrait Gallery. See the damaged portrait here.

Margaret Gibb was held by an attendant, charged and, on 21 July, sentenced to six months imprisonment. She was released on 27 July – presumably under the Cat and Mouse Act, having gone on hunger strike. See here for a surveillance picture of Margaret Gibb taken in the exercise yard at Holloway. On 31 August she was spotted again at the Gallery and, although the WSPU had called a halt to its campaign, was refused admission then – and in the future.

One hundred years later the NPG has  mounted al display case exhibition – in Room 31 –  showing something of the effect of WSPU militancy on the National Gallery and National Portrait Gallery. Margaret Gibb’s story is related and includes a comment to the effect that it was doubted that the picture’s attacker knew that Carlyle was a particular hero of Emmeline Pankhurst – an aperçu I remember making when referring to the damaged portrait in the entry on Emmeline Pankhurst’ in my The Women’s Suffrage Movement: a reference guide. I’d be rather thrilled if I was the originator of the comment – but I daresay others have thought of it independently. I was particularly struck by two small photographs of Mary Richardson in the display that date from 1918 and show her sitting, delicate and pretty, in a room neatly furnished with flowers and 18th-century furniture. This is an image far removed from the chopper-wielding attacker of the ‘Rokeby Venus’ – (see here for a post on Mary Richardson).

Christabel Pankhurst by Ethel Wright, 1909 (c) National Portrait Gallery, London; Supplied by The Public Catalogue Foundation

Christabel Pankhurst by Ethel Wright, 1909 (c) National Portrait Gallery, London; Supplied by The Public Catalogue Foundation

In the entrance – Room 30 – to the gallery that contains this display case the National Portrait Gallery has now hung the full-length  portrait of Christabel Pankhurst by Ethel Wright – opposite the Brackenbury portrait of her mother – Emmeline Pankhurst.  Christabel’s portrait, in which she is wearing a green dress – apparently a favourite colour – was painted in 1909 and first shown at the WSPU Skating Rink Exhibition. It was bought by Una Duval and remained in her family before being  bequeathed recently to the NPG.

Good as it is to raise the profile of the women’s suffrage campaign – all this attention on the WSPU only highlights for me the lack of attention given to the constitutional campaigners – those who worked for sixty years without wielding cleavers. So let me take the opportunity here of repeating my mantra  – and drawing attention to my post on the subject –  Make Millicent Fawcett Visible.

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All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 

Kate Frye’s Diary: The Lead-Up To War: 17 July 1914

 

On 7 August 2014 ITV will publish an e-book, Kate Parry Frye: The Long Life of an Edwardian Actress and Suffragette.  Based on her prodigious diary, this is my account of Kate Frye’s life and is a tie-in with the forthcoming ITV series ‘The Great War: The People’s Story’. For details of the TV series and its accompanying books see here.

KateAs a lead-up to publication I thought I’d share with you some entries from Kate’s diary from the month before the outbreak of war. Through her day-to-day experience we can see how the war stole up on one Everywoman.

Kate was at this time 36 years old, living in a room at 49 Claverton Street in Pimlico and working in the Knightsbridge headquarters of the New Constitutional Society for Women’s Suffrage. It was now nine years since she had become engaged to (minor) actor John Collins. Her father died in March 1914 and her mother and sister, Agnes, now all but penniless, are living in rented rooms in Worthing. John has a room along Claverton Street, at number 11.

Friday July 17th 1914

John arrived unexpectedly early, before I was up, but I just let him in to hear the news – he has had a letter from Benson saying he would see him, so was off. I had received a letter from Mr Dingle saying he could not speak – so as soon as I was up I went off to the Men’s League at Westminster and saw someone there who called Mr McKillop in from an office next door, and he like a lamb said he would come to Isleworth in Mr Dingle’s place. I expected to have to rush round London.

So I walked up to the A.A. and found John just having lunch with a very pretty woman and joined them as I wanted to hear what Benson said, but it was a very short interview. John saw me to Charing Cross then went off to a meeting and I came back to Victoria and bought some food then came in and had a rest and fell asleep.

John came in at 5 and we had a meat tea and then off together, Bus to Victoria – train to Hammersmith – train to Isleworth arriving at 7.15 – at the Upper Square. There were hundreds of children ready to greet us, I got a friendly feeling and they were very good but a great nuisance. John went off to find the Lorry as it was not punctual, but he missed it and it arrived alright and I got it fixed up.

By the time the speakers, Miss Dransfield in the Chair, Mrs Merivale Mayer and Mr McKillop and Miss Fraser to help had arrived we were absolutely mobbed – and we got a huge gathering. The first Suffrage meeting of any kind which had been held in Isleworth.

Mrs Mayer as usual was very disagreeable when she arrived, but it was really such a magnificent meeting she was quite pleased at the end, and as usual she spoke splendidly and we quite got the people round.

Having settled up early well came away together – Mr McKillop left us from the train, we parted from Mrs M.M. at Hammersmith and Miss Fraser at Victoria.

John and I were starving and we went into a restaurant at Victoria. John had salmon and cucumber – at 11.15! It was a lovely day.

John Collins was ‘resting’ at the moment – as is clear from the amount of time he was able to devote this month to helping Kate with her suffrage work. He would have been very excited about the prospect of employment in Frank Benson’s Company. The A.A., where Kate surprised him lunching with ‘a very pretty women’, was the Actors’ Association, the club in Covent Garden to which they both belonged.

The Men’s League for Women’s Suffrage to whose office Kate went for help when her speaker had failed was at 136 St Stephen’s House on the Embankment. The massive building was demolished, apparently in the early 1990s. We have already met the obliging Mr McKillop, who had for some years earlier been librarian to the fledgling London School of Economics. Kate had warmed to him after he praised her public speaking.

Upper Square, Isleworth (image courtesy of Hounslow Local studies website)

Well, this must have been the site of Isleworth’s first ‘Votes for Women’ meeting – or, at least, the first of which Kate had heard tell. Presumably during her canvassing she had met with plenty of local people who would have given her this kind of information. By ‘fixing up’ the Lorry Kate meant that she decorated it with posters – inquisitive children were suffragettes’ constant companions.

Calra Merivale Mayer

You can read about Mrs Merivale Mayer in Campaigning for the Vote – suffice it to say that Kate found her a great trial and, I am sure, knew nothing of her somewhat scandalous history. If she had known she would doubtless have felt vindicated in her dislike for this most difficult of the New Constitutional Society’s speakers. But Kate gave credit where it was due and often commented, as she does here, that despite the ructions she caused Mrs Mayer was an excellent speaker.

 

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WALKS/Suffrage Stories: The London Opera House, Kingsway

Ever since the decision was made for the Women’s Library to move to LSE (now open as the Women’s Library @ LSE) I have been writing posts that draw attention to the many locations associated with the women’s movement in the area around Aldwych and the Strand. My hope is that researchers in the Women’s Library, when taking a break from their labours, will welcome some information that will allow them to see the surrounding area with fresh eyes.

Today I would like to direct your attention to the site between Portugal Street and Sardinia Street that now houses the Peacock Theatre. Many readers will have been to that theatre, rather oddly sited in the basement of a modern office-type block – if only to take younger members of the family to the annual Christmas treat of ‘The Snowman’. Have you ever wondered why there is a theatre there – in what is now a rather untheatrical area? The answer is related to the wonderful building in the photograph below. 

London Opera House, Kingsway. (Image courtesy of arthurlloyd.co.uk)

London Opera House, Kingsway. (Image courtesy of arthurlloyd.co.uk)

The London Opera House, its rooftop adorned with figures representing Melody and Harmony, opened 102 years ago today – on 13 November 1911. It occupied an entire block of Kingsway, between Portugal Street and Sardinia Street, and was built for Oscar Hammerstein (Sr) , whose idea was that it should rival the Covent Garden Opera House. The building was opulent and enormous, capable of seating over 2600 people.

Its first season ran from its opening until March 1912, when there was then a hiatus. It was this lack of a follow-up season that, I think, accounts for the fact that on Friday 15 March it was available to be hired for a ‘Suffragists’ non-militant and non-party demonstration’ by the New Constitutional Society for Women’s Suffrage. Kate Frye was its organizer and in Campaigning for the Vote  you can read of her efforts, which included mustering the banners of the various suffrage societies – she collected that of the WSPU from Mrs Garrud’s gym – in order to decorate the auditorium. Eva Moore and May Whitty of the Actresses’ Franchise League were amongst the suffragists on the platform, very fitting in such a theatrical venue.

It was not the first time in its short life that the Opera House had held a suffragette meeting. The previous week, the police, on the hunt for Christabel Pankhurst who had given them the slip from nearby Clement’s Inn, searched the Opera House, where she was reported to be hiding. However the New York Times reported that all they found was ‘Oscar Hammerstein sitting alone in state at a big table in the vestibule, with a printed notice behind him reading “Subscriptions department for the Grand Opera Summer Season”.’ The reporter described how ‘Outside the Opera House were posters announcing tomorrow’s meeting’  ‘So you are a sympathiser’, said the correspondent to Mr Hammerstein. ‘I don’t know anything about it,’ he replied, ‘except that I let the opera house to them before they started on their stunts, and can’t break the contract, or else they might break up the opera house’.

The London Opera House was so well-placed in the middle of suffrage society territory – and right beside the Tea Cup Inn, a favourite haunt – that it was to be the venue for various other suffrage meetings.

Hammerstein’s Summer Season was his last at the London Opera House and in July he gave up and returned to America. The theatre re-opened in December, staging variety shows and showing films, but not before it had once again, on 4 November, been hired by the suffrage societies who held a joint meeting protesting at the proposed reform bill.

Pankhurst The War 001It was at the London Opera House on 8 September 1914 that Christabel re-appeared when her exile came to an end, beginning her speech by saying ‘It is very good to be back in one’s own country again, amongst one’s own friends’ – and ending by promising ‘[The war] will sweep away, it must and shall sweep away, the superstition, the narrowness, the jealousy, the suicidal folly which have made of our country two opposing camps – the enfranchised men in one, and the voteless women in the other’.

From 1917 -1940 the building became a cinema – the Stoll Picture House – but from 1942 to 1957 reverted to live theatre – before being demolished in 1958. Planning permission for the replacement building required the incorporation of a theatre – hence The Peacock.

Virginia Woolf BuildingThe  office block has now, I see, been taken over by King’s College, which is marching up Kingsway into LSE territory. It is now known as the ‘Virginia Woolf Building’. Which allows my imagination another suffrage spin – to visualise Mary Datchet returning down Kingsway from her suffrage society office in Russell Square to her flat near the Strand. She glances at the poster outside the London Opera House advertising a suffrage meeting (perhaps her society, the PDS, would have been taking part but perhaps, as it probably supported adult, rather than women’s suffrage, not). Little did she suspect that her creator’s name would 100 years later adorn its – rather less – opulent – successor.

The copy of Christabel Pankurst’s 8 September 1914 speech, The War, referred to above will be for sale in my next catalogue.

For much more about the London Opera House and its successors click here.

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Suffrage Stories: Where Did Christabel Pankhurst Live In Paris?

In early March 1912, after members of the WSPU had launched a window-smashing campaign in the West End of London, the Home Office determined to hold their leaders accountable and immediately arrested Emmeline Pankhurst and Frederick and Emmeline Pethick-Lawrence.  Christabel Pankhurst, however, nimbly escaped over the English Channel to the safety of Paris.

9 rue Roy

9 rue Roy

9 Rue Roy, now the Hotel Saint Augustin, is where she took refuge and where she lived for well over a year. It would appear that she rented an apartment in the building – perhaps not then functioning as an hotel.

Here we see Christabel photographed in her room, looking out of the window – perhaps one of those in my photograph. Not that there was much to see – Rue Roy is a narrow,  somewhat nondescript little street, a turning off the Boulevard Haussmann. But this district, still relatively recently developed, was a usefully central and anonymous location in which a fugitive might take up residence. Did Christabel avail herself of the nearby Metro station in Place Saint Augustin?

Christabel looking out of the window at 9 Rue Roy

Christabel looking out of the window at 9 Rue Roy

Place Saint Augustin

Place Saint Augustin

Christabel could not have taken  with her much in the way of personal possessions (though one imagines she perhaps did not regret being forced to acquire a suitably Parisian wardrobe) – but she did arrive well-armed with useful introductions. A mere four or five days after her arrival she was visiting the salon of Winaretta Singer, Princesse de Polignac – an entrée arranged through the good offices of Ethel Smyth, the Princesse’s sometime lover.

Princesse de Polignac's music room (courtesy of The Blue Lantern blogspot)

Princesse de Polignac’s music room (courtesy of The Blue Lantern blogspot)

It was in these glamorous surroundings that Annie Kenney, on her first visit to Paris, was asked to meet Christabel.  One would love to know more – but in her posthumous memoir, Unshackled, Christabel is distinctly discreet as to how her time in Paris was spent. Or, indeed, how her prolonged sojourn there was financed; she did no work – in the conventional sense – during the two and a half years that she lived in Paris until the outbreak of war in August 1914 made it safe for her to return to England.

11 Avenue de la Grande Armee - on right

11 Avenue de la Grande Armee – on right

Indeed, after the French had refused to extradite her, by the autumn of 1913 Christabel had moved to a rather more central – and presumably more expensive – Parisian address -11 Avenue de la Grande Armeé, later -crossing the Avenue to live at a flat at no. 8. It was from here, in the very heart of Paris, that she conducted the last frenetic months of the WSPU campaign.

Number 8 Avenue de la Grande Armee

Number 8 Avenue de la Grande Armee – across the road from number 11

and a stone's throw from the Arc de Triomphe

and a stone’s throw from the Arc de Triomphe

All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

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WALKS/Suffrage Stories: St Clement’s Press

St Clement’s Press, c. 1959, courtesy of LSE Library

To mark the very welcome co-operation planned for the future between the Women’s Library and the London School of Economics the next few ‘Suffrage Stories’ will demonstrate the past importance to the women’s movement of streets and buildings in the vicinity of  Houghton Street.

In the last ‘Suffrage Story’ I described why and how, from the autumn of 1906, the Women’s Social and Political Union came to have its offices at Clement’s Inn, a few hundred yards from the London School of Economics which, since 1902, had taken up residence in premises in Clare Market and Houghton Street.

In the previous post I also mentioned that Frederick Pethick Lawrence had had some experience as a newspaper proprietor and editor. It was, therefore,  natural that he and his wife, Emmeline, should consider it useful for the suffrage society with which they were now so closely associated to have its own proselytizing organ. This would both broadcast the aims and actions of the WSPU  and serve as a point of focus for its swiftly expanding membership.

The first issue of ‘Votes for Women’

The first issue of Votes for Women, as the new paper was unequivocally named, appeared on 16 October  1907. It was financed and edited by Emmeline and Frederick Pethick Lawrence and published from the WSPU office at 4 Clement’s Inn.

The Pethick Lawrences had not had to look far for a printer for their new paper. Housed in ‘Newspaper Buildings’, at the junction of Clare Market and Portugal Street, opposite the end of Clement’s Inn Passage (now St Clement’s Lane), the late-19th-century bulk of  St Clement’s Press towered over the maze of narrow streets bounded by the Strand and the swathe of  Kingsway, still a raw building site.  The Press had begun business in 1889 and was to be printer to a variety of other organisations sympathetic to the suffrage cause – from 1909, for instance, responsible for the Anti-Vivisectionist Review.

Votes for Women was published monthly until April 1908, after which it took on a larger format and became a weekly. This increase in frequency and size was a direct reflection of the WSPU’s great success in attracting members and creating interest in its campaign. By early 1910 Votes for Women had a weekly print run of c. 30,000 copies.

Grace Chappelow, a WSPU member from Essex, selling ‘Votes for Women’. Courtesy of Chelmsford Museum

The paper was sold in newsagents but also by members of the WSPU who were prepared to stand in the gutter (to stand on the pavement counted as obstruction) and sell it to passers by.  St Clement’s not only printed Votes for Women but also a variety of posters to advertise the paper – such as this one, held in the Women’s Library collection.

This arrangement continued for three and a half years until March 1912. At the beginning of that month WSPU members embarked on a dramatic window-smashing campaign, attacking shops and offices in London’s West End. As a result Emmeline Pankhurst and Frederick and Emmeline Pethick Lawrence were all arrested on the charge of conspiracy to commit criminal damage.  Christabel Pankhurst escaped from Clement’s Inn and fled to Paris. The first issue of Votes for Women to be issued after the arrests – the number for 8 March –  appeared with blanks in the text. There was a note on the front page:”The Editors who are responsible for “Votes for Women” in the absence of Mr and Mrs Pethick Lawrence beg to inform their readers that the blank spaces in this week’s issue do not represent lack of interesting matter for publication, but mark the suppression by the printers of articles, comments, and historical facts considered by them to be of an inflammatory nature.’

Whether it was because the temporary editors considered it impossible to continue working with a printer who felt unable to print all the material supplied, or whether  it was that St Clement’s Press declined to be associated with a publication that might bring them into direct conflict with the law – for whatever reason the 15 March 1912 and subsequent issues of Votes for Women were no longer printed by the St Clement’s Press but by Walbrook & Co of 14 & 15 Whitefriars Street, off Fleet Street.

After the Pethick Lawrences were ousted from the WSPU in the autumn of 1912 they retained ownership of Votes for Women, still printed by Walbrook,  making the paper the focus of their new organisation, the Votes for Women Fellowship.  I will discuss this organisation in a subsequent post.

The Economists’ Bookshop, viewed from Kingsway

The site of the St Clement’s Press was occupied by Waterstone’s Economists’ Bookshop, very much an LSE institution – now itself history.

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WALKS/Suffrage Stories: Where And What Was Clements Inn?

To mark the very welcome co-operation that now exists between the Women’s Library and the London School of Economics the next few ‘Suffrage Stories’ will demonstrate the past importance to the women’s movement of streets and buildings in the vicinity of  Houghton Street.

In previous posts I have described the Tea Cup Inn, which was in Portugal Street in the building which, for the time being at least, houses the LSE Chaplaincy, and the Aldwych Skating Rink, in which the WSPU organized its grand 1911 census boycott meeting. In the latter post I remarked that, all but abutting onto the back of the Skating Rink, were the offices of the WSPU at 3 & 4 Clement’s Inn.

A commemorative plaque, placed on a building now occupied by LSE. marks the site, citing the words of Christabel Pankhurst:  ”Clement’s Inn, our headquarters, was a hive seething with activity… As department was added to department, Clement’s Inn seemed always to have one more room to offer.’ [9 February 1907]

But what was ‘Clements Inn’?

The history of the late-19th-century Clement’s Inn buildings are surprisingly sketchy – although I daresay that archival research would uncover more detail. In its original incarnation Clement’s Inn had been one of the original Inns of Chancery, but its purpose and its buildings were swept away sometime during the second half of the 19th century. The exact date of its removal is vague; Pevsner merely puts it between 1868 and 1891, presumably meaning that it was demolished in stages. Suffice it to say that towards the end of the 19th century – probably in the 1880s – large blocks designed for both office and residential use were built on the site of the old Inn.  They stretched in a line, just west of the Royal Courts of Justice – and on the west side of Clements Inn Passage –  north from the Strand up to Clare Market. These blocks were given the name ‘Clement’s Inn’ and  housed a medley of solicitors, architects, chartered accountants, surveyors, publishers and even, at 5 & 6 the Uruguayan Legation and Consulate. The southern-most blocks were numbered ‘1 & 2 Clement’s Inn’ and were still standing in 1977. By then the more northerly blocks  – 3 & 4 – had already been demolished.

Clement’s Inn c 1970 (Courtesy LSE Library)

Extraordinary as it seems, photographs of the exterior of 3 & 4 Clement’s Inn seem all but non-existent, the one above one of very few I’ve been able to track down.

The photograph shows the Clement’s Inn buildings to have been rather imposing –  five storeys high, rising in places to seven. They were built of brick – presumably once red, doubtless very quickly blackened in the London atmosphere, with facings of stone around the windows and doors. Detailing was gothic, doubtless a nod to the adjacent  Royal College of Justice buildings. The ‘look’ was not unlike that of nearby Old Square, Lincolns Inn, where in later years Frederick and Emmeline Pethick-Lawrence, who are specifically noted on the WSPU plaque, had a flat.

Frederick Pethick Lawrence, photographed at a time when he was living and working in Clement’s Inn

For it was entirely due to the Pethick Lawrences that the WSPU office came to be sited at 3 & 4 Clement’s Inn. Frederick Pethick Lawrence first appears on the London electoral register at  3 & 4 Clement’s Inn in 1904. He and Emmeline – they had married in 1901 -were living in what is termed in the rate book as ‘a residential suite’ – to differentiate this type of apartment from the offices that were also available for rent. The apartments were serviced; the Clement’s Inn  building included a servants’ hall, servants’ dormitories and a kitchen in which meals were cooked for delivery to the tenants. This, I would imagine, was a style of living that entirely suited the Pethick Lawrences whose many interests surely precluded any time for domesticity.

The Pethick Lawrences had presumably chosen Clement’s Inn as their London address – they did also have a house in Surrey – because it was close to the office, at 19 St Bride Street,  of The Echo, a newspaper bought by Frederick Pethick Lawrence c 1902. It had been a Liberal paper – with a bias towards the Liberal Unionist section of the party- but, under Pethick Lawrence was re-directed towards the Labour movement, with Ramsay MacDonald among its contributors. However The Echo ran at a loss and in 1905 Pethick Lawrence closed it and  in May launched a new monthly publication, the Labour Record and Review. Pethick Lawrence was also the publisher of the Reformers’ Yearbook (called, before 1905, the Labour Annual and Reformers’ Yearbook). In the 1905 edition of the Yearbook, printed from information supplied in 1904, the ‘Directory of Useful Addresses’ lists the ‘Women’s Union’ , the secretary of which is Mrs Rachel Scott of Woodbine, Flixton, Manchester.  This was the recently formed Women’s Social and Political Union. Its founders, Mrs E. Pankhurst and Miss C Pankhurst, of  62 Nelson St, Manchester, are also listed as ‘Useful’.

Emmeline Pethick Lawrence

In her autobiography Emmeline Pethick Lawrence records that it was from her roof garden in Clement’s Inn that in January 1906 she saw the general election results ‘as they were thrown by a lantern-slide on the elevated-whitened board in the Strand’. This new technology was displaying a Liberal landslide. But it was, however, the success of Keir Hardie and the Labour Party that particularly pleased the Pethick Lawrences.  A month later Hardie introduced Emmeline Pethic -Lawrence to Emmeline Pankhurst as ‘a practical and useful colleague who could develop in London the new society she had founded in Manchester’ – the WSPU.

Later that year the embryonic London campaign, which had been spearheaded by Annie Kenney and which for several months had held its business meetings around kitchen tables in various hospitable London homes, was given office premises by Frederick Pethick Lawrence in 3 & 4 Clement’s Inn. In the relevant rate book the WSPU is shown as taking up its tenancy at Michaelmas (29 September) 1906 in rooms 68,69 and 70.

This apartment was separate from number 119 shared jointly by the Pethick Lawrences; Frederick had given Emmeline the luxury of ‘a room of her own’.

Early WSPU meeting, Clement’s Inn, 1907 (courtesy of LSE Library)

When, in July 1906, Christabel Pankhurst came to London, after gaining her first-class law degree in Manchester, she lived with the Pethick Lawrences – perhaps in Emmeline’s separate apartment. The rate books show that over the years the Pethick Lawrences occupied several different sets of rooms, the quantities and configuration varying from year to year.

When, in October 1908, warrants were issued for the arrest of Christabel and Emmeline Pankhurst after the WSPU had urged Londoners to ‘Rush the House of Commons’, the pair were photographed hiding from the police on Emmeline Pethick Lawrence’s roof terrace.

Emmeline and Christabel Pankhurst photographed on Clement’s Inn roof terrace, 1908 (courtesy of LSE Library)

After ensuring that their evasion had been captured on camera, they then went downstairs and were photographed in the course of being arrested by Inspector Jarvis.

Arrested by Inspector Jarvis, 1908

Other WSPU offices were photographed on other occasions. Here is Mrs Pankhurst’s. Note the pictures, posters, flowers, and mantlepiece items.

Mrs Emmeline Pankhurst and Mrs Mabel Tuke photographed in Mrs Pankhurst’s office in Clements Inn

This ‘seething hive of activity’ is pictured in at least one contemporary novel. For in Ann Veronica, published in 1909, H.G. Wells furnishes the offices of the Woman’s Bond of Freedom – the  suffrage society that sweeps his heroine off her feet and into prison – with  ‘notice boards bearing clusters of newspaper slips, three or four posters of monster meetings..and a series of announcements in purple copying ink, and in one corner …a pile of banners’. Wells had no need to rely on photographs for his information; during the years when the WSPU was working from Clement’s Inn, it was doing so in close physical proximity to the Fabian Society, of which Wells was a leading member and which had been responsible for the founding of the LSE.  Knowing from the rate book that the WSPU’s basement office was next door to that of the Fabian Society, it requires little stretch of the imagination to envisage Wells finding a reason to combine a visit to one with a brief sortie into the other, the result being good  ‘copy’ for his novel.

It would be surprising if there had not been some tension between the two offices – the one campaigning for votes for some, not all, women while the other backed the cause of adult suffrage. For although, when they agreed to support the WSPU, the Pethick Lawrences were still committed to the Labour cause,  as the women’s suffrage campaign developed its tactics changed and the association with Labour was considered by the Pankhursts no longer to be advantageous.  Despite this, there were many connections between the WSPU, the Labour Party and the Fabian Society. For instance, Beatrice Sanders, working from an office in Clement’s Inn as  financial secretary to the WSPU, was the wife of William Sanders, a Fabian Society lecturer, LCC alderman and Labour parliamentary candidate. Mrs Sanders was herself a member of the Fabian Women’s Group.  However, William Sanders was one of what Wells termed the  ‘Old Gang’ that ranged itself against him when he attempted to reform the Fabian Society and, in retaliation, probably took Sanders as his prototype for ‘Alderman Dunstable’ in Ann Veronica. Wells certainly found plenty to mock in the WSPU and its activities and, unsurprisingly, although Ann Veronica was listed among ‘Books Received’ in the WSPU newspaper, Votes for Women, it never received the accolade of a review.

A very powerful propaganda tool for the WSPU, Votes for Women was brought to life each week in a building even closer to Houghton Street than Clement’s Inn and will be the subject of the next of my ‘Suffrage Stories’.

Copyright All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

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Kate Frye’s Suffrage Diary: Spring 1908 – Suffrage Hope – WSPU in Albert Hall ‘a little too theatrical but very wonderful’

Another extract from Kate Frye’s manuscript diary. An edited edition of later entries (from 1911), recording her work as a suffrage organiser, is published as  Campaigning for the Vote: Kate Parry Frye’s suffrage diary.

H.Y. Stanger’s Bill, 1908

Kate’s MP, Henry Yorke Stanger, was the promoter of the current Enfranchisement Bill – the latest in the long line that stretched back through the latter half of the 19th century. Despite, as Kate describes, the bill passing its second reading, the government eventually refused to grant facilities to further the debate. However, that blow was yet to come as Kate records in these entries details of the suffrage meetings she attended in February and March 1908. She had the knack of always being present on the great occasions – and on 19 March was in the Albert Hall to witness the rousing – and profitable – reception given to Mrs Pankhurst on her release from prison. 

Dramatis personae:

Miss Harriet Cockle, was 37 years old, an Australian woman of independent means, lving at 34 de Vere gardens, Kensington.

Mrs Philip Snowden – Ethel Snowden (1880-1951) wife of the ILP politician, Philip Snowden.

Mrs Clara Rackham (1875-1966) was regarded as on the the NUWSS’s best speakers. In 1910 she became president of the NUWSS’s Eastern Federation, was founder of the Cambridge branch of the Women’s Co-operative Guild, and was sister-in-law to Arthur Rackham, the book illustrator.

Margery Corbett (1882-1981- later Dame Margery Corbett-Ashby) was the daughter of a Liberal MP. At this time she was secretary of the NUWSS.

Mrs Fanny Haddelsey,wife of a solicitor, lived at 30 St James’s Square, Holland Park.

Mrs Stanbury had been an organiser for NUWSS as far back as 1890s.

Tuesday February 25th 1908 [London-25 Arundel Gardens]

We got home at 5.15 and had tea. Then I did my hair and tidied myself and Agnes and I ate hot fish at 6.30 and left soon after in a downpour of rain for the Kensington Town Hall – we did get wet walking to the bus and afterwards. We got there at 7 o’clock to steward – the doors were opening at 7.30 and the meeting started at 8.15. I was stewarding in the hall downstairs and missed my bag – purse with 6/- and latch Key etc – very early in the evening which rather spoilt the evening for me as I felt sure it had been stolen. It was a South Kensington Committee of the London Society for Woman’s Suffrage and we were stewarding for Miss Cockle. It was a good meeting but not crowded but, then, what a night. Miss Bertha Mason in the Chair. The speech of the evening was Mrs Philip Snowdon, who was great, and Mrs Rackham, who spoke well. The men did not do after them and poor Mr Stanger seemed quite worn out and quoted so much poetry he made me laugh. Daddie had honoured us with his presence for a little time and had sat on the platform – so I feel he has quite committed himself now and will have no right to go back on us. We were not in till 12.20 and then sat some time over our supper.

Wednesday February 26th 1908

Before I was up in the morning Mother came up in my room with my bag and purse and all quite safe. It had been found and the Hall Door Keeper had brought it. I was glad because of the Latch Key. Daddie generously had paid me the 6/- which I was able to return.

Friday February 28th 1908

Mr Stanger’s Woman’s Suffrage Bill has passed the second reading. I had to wait to see the Standard before going to my [cooking] class. That is very exciting and wonderful – but of course we have got this far already in past history. Oh! I would have liked to have been there.

MargWednesday March 11th 1908

To 25 Victoria Street and went to the 1st Speakers Class of the N.[ational] S.[ociety] of W.[omen’s] S.[uffrage]. I was very late getting there and there was no one I knew so I did not take any part in the proceedings and felt very frightened. But Alexandra Wright came in at the end and I spoke to Miss Margery Corbett and our instructoress, Mrs Brownlow. And then I came home with Alexandra from St James’s Park station to Notting Hilll Gate.

Thursday March 12th 1908

Mother went to a Lecture for the NKWLA  [North Kensington Women’s Liberal Association] at the Club and Agnes and I started at 8 o’clock and walked to Mrs Haddesley [sic] for a drawing-room Suffrage Meeting at 8.30. Agnes and I stewarded and made ourselves generally useful. The Miss Porters were there and a girl who I saw at the Speakers’ Class on Wednesday. Alexandra was in the Chair and spoke beautifully – really she did. And Mrs Stanbury spoke. Mrs Corbett and Mrs George – all very good speakers. Mrs Stanbury was really great and there were a lot of questions and a lot of argument after, which made it exciting. It was a packed meeting but some of the people were stodgy. Miss Meade was there with a friend – her first appearance at anything of the kind she told us and she said it was all too much for her to take in all at once. The “class” girl walked with us to her home in HollandPark and we walked on home were not in till 11.45. I was awfully tired and glad of some supper and to get to bed.

Mrs Pankhurst had been arrested on 13 February as she led a deputation from the ‘Women’s Parliament’ in Caxton Hall to the House of Commons. She was released from her subsequent imprisonment on 19 March, going straight to the Albert Hall where the audience waiting to greet her donated £7000 to WSPU funds. Kate was there.

Thursday March 19th 1908

I had a letter in the morning from Miss Madge Porter offering me a seat at the Albert Hall for the evening and of course I was delighted….just before 7 o’clock I started for the Albert Hall. Walked to Notting Hill gate then took a bus. The meeting was not till 8 o’clock but Miss Porter had told me to be there by 7 o’clock. We had seats in the Balcony and it was a great strain to hear the speakers. It was a meeting of the National Women’s Social and Political Union – and Mrs Pankhurst, newly released from Prison with the other six was there, and she filled the chair that we had thought to see empty. It was an exciting meeting. The speakers were Miss Christabel Pankhurst, Mrs Pethick Lawrence, Miss Annie Kenney, Mrs Martel and the huge sums of money they collected. It was like magic the way it flowed in. It was all just a little too theatrical but very wonderful. Miss Annie Kenney interested me the most – she seems so “inspired” quite a second Joan of Arc. I was very pleased not to be missing so wonderful an evening and I think it very nice of Miss Porter to have thought of me. She is quite a nice girl of the modern but “girlie” sort – a Cheltenham girl and quite clever – but very like a lot of other girls. Coming out we met, strangely enough, Mrs Wright and Alexandra (Gladys was speaking at Peckham) and after saying good-bye to Miss Porter I walked home with them as far as Linden Gardens. Got in at 11.30 very tired indeed and glad of my supper. Mother was waiting up.

Campaigning for the Vote: Kate Parry Frye’s Suffrage Diary edited by Elizabeth Crawford

For a full description of the book click here

Wrap-around paper covers, 226 pp, over 70 illustrations, all drawn from Kate Frye’s personal archive.

ISBN 978 1903427 75 0

Copies available from Francis Boutle Publishers, or from Elizabeth Crawford – e.crawford@sphere20.freeserve.co.uk  (£14.99 +UK postage £3. Please ask for international postage cost), or from all good bookshops. In stock at London Review of Books Bookshop, Foyles, National Archives Bookshop.

'Campaigning for the Vote' - Front and back cover of wrappers
‘Campaigning for the Vote’ – Front and back cover of wrappers

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