Posts Tagged slave trade

Mariana Starke: Great-grandfather’s house

 

House similar to that lived in by Thomas Starke and his family in the late-17th century

In the late-17th century Thomas Starke, the slave trader, lived and, I think, carried on his business in Mincing Lane in a house rebuilt in the 1670s – after the Great Fire of London. Starke’s house – and all the others in that street- have long since disappeared – now replaced by a Gotham City simulacrum, politely described as a ‘post-modern gothic complex’. However a few London houses built by Mincing Lane’s post-Fire-of London developer, Nicholas Barbon, do remain, including – pictured here – 5-6 Crane’s Court, just off Fleet Street – giving a rough idea of the manner of house in which Starke and his family lived.

Fortunately for us, when Starke – a freeman of the city of London – died in early 1706 several of his children were not yet 21 years old. This meant that the London Court of Orphans was required to draw up an itemized list of his household goods, assets and debts in order to supervise the division of the estate. This inventory provides a marvellous picture of the furnishing of the Mincing Lane house – at least some of which were purchased with the profits from Starke’s slave-trading activity, as well as an insight into Starke’s complicated finances. Moreover, the inventory, made on 18 April 1706, is held in the London Metropolitan Archives, very close to my home, a short walk collapsing the centuries.

Although the inventory does not reveal who was living in the house in 1706, a 1695 tax assessment showed that besides Starke, his wife, and two daughters, the household then comprised two apprentices (both of whom were to figure in later Starke litigation) and three servants – two of them women, one a boy.

The 1706 inventory begins at the top of the house – in the fore garrett – [perhaps a bedroom for the apprentices?] which contained:

One corded bedstead and rods, printed stuff curtains and valance, and flock bed and feather bolster and pillow,  2 blankets and 2 rugs, a table,  2 chests of drawers, a pallet bedstead, 2 chairs, one box – value £2 2s

I assume that ‘corded bedstead’ meant a bed with cords to support the mattress and that  ‘rods’ are curtain-type rods from which hung the printed stuff curtains that surrounded the bed to exclude draughts.

The back garrett  [perhaps a bedroom for 2 servants?] contained::2 chests, a horse for clothes, a few candles, 2 little bedsteads, a feather bed, 2 flock bolsters, two blankets, two rugs, a quilt, some lumber – value £2 1s

In the room 2 pairs of stairs forwards [perhaps Stark’s daughters’ room]: One sacking bedstead and rods, camblett curtains and valance lined with silk. Feather bed, a bolster, 2 pillows, 2 blankets, a rug, one counterpane. Corded bedstead and rods, curtains, 1 feather bed, bolster, 6 pillows, 4 blankets, a rug, 7 chairs, 1 chest of drawers, a table, 2 looking glasses, 5 window curtains, 3 rods, 2 pairs of dogs [ ie for the fireplace], a fender shovel, and tongs, a pair of bellows, 4 hangings of the room – value £15 7s.

Apart from the value, we can tell that this room was used by more important members of the household than the two garrets because of the use of ‘camblett’ to make the curtains, ‘camblett’ being a fine dress fabric of silk and camel-hair, or wool and goat’s hair, which was a lighter material, replacing broadcloth and serge and quite newly fashionable.. Similarly the lining of the valance with silk was a newish and fashionable furnishing style.

Back room: 1 corded bedstead, printed stuff curtains and valance, feather bed, bolster, 1 pillow, 1 blanket, a rug, 1 chest of drawers, 1 table, 2 matted chairs, grate, fender, shovel and tongs, a warming pan, a pair of bellow, 1 boll printed stuff. Hangings of the room, 3 chairs – value £5 2s

Middle room: 1 corded bedstead and rods, a pair of old curtains and valance, 1 feather bed, bolster, 1 pillow, a blanket and rug – value £1 15

In the room 1 pair of stairs backwards:  [perhaps Starke’s bedroom – to be used for entertaining as well as sleeping.] 1 sacking bedstead, silk and damask curtains and valance lined with silk, a quilt and feather bed bolster, some calico curtains, 1 table, a looking glass, 6 chairs and cushions, a slow grate, shovel, tongs and poker, a brass hearth shovel and tongs, 3 pairs of tapestry hangings – value £36 6s [Peter Earle in The Making of the English Middle Class: Business, Society and Family Life in London 1660-1730 (1989) gives the average value of the furnishings of a merchant’s bedroom as £23.3, positioning Starke’s as rather above average.]

The silk and damask curtains and the valance lined with silk were smart and fashionable, while the presence of the tapestry hangings suggest a room intended for comfort in a slightly old-fashioned style..

On the staircase: 3 pictures, clock and case, 2 sconces – value £5

In the Dining room [Earle denotes the dining room as the ‘best’ living room in a house of this type, giving the average value of the contents of such a room as £12 2s – making Starke’s furnishings a little above the average in value.]: Gilded leather hangings, 2 tables, a looking glass, 1 side table, 11 cane chairs, 12 cushions, a pallet case, 2 glass sconces, a pair of tables, brass hearth dogs, shovel and tongs – value £13 12s.

The gilded leather hangings were, by the early 18th-century, perhaps a little old fashioned, but the possession of cane chairs marked the Starkes out as a family who were prepared to buy new and fashionable styles. Cane chairs had been new in aristocratic homes in the 1660s, and were taken up by ‘middling men ’ from the 1680s. It would seem that the Starkes’ cane-bottomed chairs required cushions to make them acceptably comfortable.

In the parlour [the ‘second best’ living room]: Cane chairs, 2 cushions, a boll – value £2 10s.

In the Kitchen: An iron back grate, fender, 2 spit racks, an iron crane, 3 hooks, 2 shovells, tongs and poker, 1 gridiron, 2 iron dripping pans, 2 dish rings, 1 shredding knife, 2 frying pans, 2 box irons and heaters, jack chain and weight and pulley,. 4 spits, a beef fork, a brass mortar and pestle, 7 candlesticks, a pair of snuffers, a ladle and scummer, 2 iron bottles, 4 brass pots and covers, 1 bottle, 2 sauce pans, 1 copper stew pan, 3 chairs, 2 folding boards, 1 pair of bellows and napkin press, a table, a lanthorn, 196lbs of pewter, some tin wooden and earthenware – value £19 12s 10d .

Earle mentions that the average value of kitchen goods in this period was between £10-£20, putting the Starkes’ batterie de cuisine at the top end of the scale.

In the cellar and yard: A few coals, a beer stilling, 2 brass corks, some fire wood, a leaden cistern, 1 boll, 2 doz glass bottles – value £7 1s.

The inventory goes on to give the value of Starke’s wearing apparel (£5), household linen, and plate (292 oz, value £74 –presumably including the silver salver and caudle cup that Starke specifically mentioned in his will) – before moving on to monies owed to him and his own debts.

All in all, this is a house of a middling London merchant, one who, with his family, wished to be comfortable but was not desperate to adopt the very newest fashions. I do not think it would have been as elegant as the parlour room set, dating from 1695, that one can see at the Geffrye Museum. Here you can see the Starkes’ cane chairs, but Thomas Starke presumably preferred the older-fashioned tapestries and gilded leather hangings. which many of his fellow merchants – as in the Geffrye Museum re-creation -would have been taking down and replacing with pictures. In fact only three pictures are listed in the Starke inventory, all hanging on the stair case, alongside the household’s only clock. Similarly, the Starkes were, presumably, still eating off pewter and had not been tempted by the more newly fashionable china.

I did find two omissions interesting. The first is that no room is specifically denoted as a counting-house, although at the time of Starke’s death the sum of £245 19s 13/4 [=£32,000 purchasing power in today’s terms] was held in cash in the house. So, perhaps I was incorrect in assuming that, as he was living in Mincing Lane, in the very heart of the trading district, his business would have been done on the premises. And, secondly, I suppose I might have expected a merchant’s possessions to have included at the very least a quantity of ledgers – and, perhaps, some books and a globe.

Sometime after Thomas’ death, his widow and her daughters – Sarah, Martha, Frances and Elizabeth moved out of the City. There no longer being any necessity to live close to business, they chose Chelsea as their new home– more rural, more fashionable. It is possible that they were the first occupants of a newly-built house in Upper Cheyne Row, close to their great friend Lady Mary Rawlinson, widow of a a close associate of Thomas Starke and a former Lord Mayor of the City of London. The Survey of London suggests that this house and its immediate neighbours were built c 1716 and Lady Mary and her daughter, also Mary, lived at 16 Upper Cheyne Row between 1717 and her death in 1725.  Between 1748 and 1757 Thomas Starke’s daughter, Martha, and the younger Mary Rawlinson lived together at 12 Upper Cheyne Row. They were evidently very close; in her will Martha, who died in 1758, left everything to Mary and asked to be buried with her in the same grave in Ewell parish churchyard. However, Mary Rawlinson lived on to 1765 and in a codicil to her will, made in 1764, changed her preferred place of burial  from Ewell to the Rawlinson family vault in St Dionis Church Backhurch in the City (demolished 1868)..

I imagine that Thomas Starke’s tapestries and gilded leather hangings did not make the move from Mincing Lane to Chelsea and that his widow and daughters took the opportunity to furnish the new – airier and lighter – house with new china and new materials to complement the modern fireplaces and panelling. As we shall discover, in the early 18th-century the Starke family began a close association with India and goods – gifts – from the East would have travelled back to decorate these Chelsea rooms, perhaps, eventually coming into the possession of Mariana Starke.

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All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.
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Mariana Starke: Great-grandfather’s will

I am interested in trying to build up a picture of the physical reality of the lives of Mariana Starke and her forefathers.

Now a picturesque ruin, St Dunstans, where so many Starkes were christened and buried

Although it is well nigh impossible to know what memory, if any, of Thomas Starke, slave trader, descended to his daughter, Mariana Starke – she, the ‘celebrated tourist’, was born a little under 60 years after his death – I wondered if links might be discerned through a tracing of worldy goods as they descended through the family. I made a start with Thomas Starke’s will. Through this, at the very least, we become acquainted, more closely than in any baptism register, with his surviving children and with the friends – fellow merchants – to whom he entrusted the will’s execution.

‘To my dear & loving wife Sarah one full third part of all my personal estate ..if estate does not amount to sum of £2000 [2012: £ 261,000] leaves to Sarah all my estate in co of Suffolk lying in the hundreds during her natural life and after to my son John Starke and his heirs forever. But if one third part shall amount to £2000 then my will and mind is that the said estate shall immediately go to said son. I likewise give to my wife all her jewels ? of gold and her gold watch and a large silver salver and caudle cup and cover. I give unto my son John Starke and to his heirs for ever all my reall  estate in Virginia consisting of 5 plantations. I give to my said son the sum of £500 and the diamond ring I wear. I give unto my loving daughter Mary Sherman the sum of £200 and likewise forgive her all such sums of money as she stands indebted to me for. I give to my said son John Starke a full one fifth of my personal estate after my just debts are paid and my wife’s one third part deducted. I give to my loving daughter Sarah Starke the sum of £300 and also one fifth part of all my  personal estate [etc] provided that said one fifth part shall not exceed the sum of £1500 [2005: £209,000] and what shall appear to be more than that sum I give unto my said son. I give to my said daughter Sarah all her jewels and my gold watch and 2 brooch [?] pieces of gold which were my Aunt Dennis’s. I give to my loving daughter Martha Starke the full one fifth part of my personal estate [etc]. I give unto my loving daughters Frances and Elizabeth unto both of them the full fifth part of my personal estate [etc]. I give unto my daughter Sarah a large gilt spoon. to Martha one ?? of gold that was my Aunts and I give to Frances one old Nobb (?) spoon. I give to Francis Lee and William Downer the sum of £10 apiece to buy them mourning and a ring of 20s value and I desire them to be aiding and assisting my wife and son. And my will is that my daughters’ legacy shall be paid them as they shall arrive to the age of 21. And make my wife and son jointly my executors and appoint my said loving friends Francis Lee and William Downer to be the overseers of my will.

30th Jan 4th yr of Ann (1706)

Witnessed by Ann Stephens, W. Ford, John Hodgkin, Jeffery Bass (?) Probate 4 March 1706.

So, even from this cursory transcription of the will, we can visualise Thomas Starke’s most prized – or most expensive – possessions – the jewellery, gold and silver – the salver and the caudle cup – and know that he still held five Virginia plantations. In the next ‘Mariana  Starke’ post I will be able to reveal vastly more of the possessions with which Thomas Starke was surrounded as he lay on his death bed in the house in Mincing Lane.

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All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

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What Mariana Starke’s Great-Grandfather Was

 Mariana Starke’s great-grandfather was a Virginia landowner and slave trader.

 A slave shackle recovered from Thomas Starke’s ship.

In the last ‘Mariana Starke’ post I gutted the red herring that had Mariana born in India. This, if a red herring could be said to be put to such a use, had been a hook on which some scholars had hung critiques of her two Indian-set plays. While I am certain that an interest in Anglo-Indian affairs permeated Hyland House, which had been purchased with the proceeds of her grandfather’s engagement with India, I am wondering if the shade of Thomas Starke, her great-grandfather, did not also, perhaps, linger?  If so, that may well give an added spice to the abolitionist sub-plot of The Sword of Peace (1788).and to two of Mariana’s creations in it, the slaves Caesar and (offstage) Pompey.

Thomas Starke (c 1649-1704), was probably born in Suffolk and in the early 1670s spent some time in Kings and Queens County, Virginia, where he (and perhaps another member of his family) owned land  – land devoted to tobacco production. On his return to England he married Sarah Newson, possibly in 1676 at Pettistree in Suffolk. Those facts are interesting – if a little hazy – but what is definite is that by 1678 the family was living in London, in the parish of St Dunstan in the East, where a son was christened. Their surviving children – several died in infancy – included Mariana’s grandfather, John (1685-1765) and several daughters, some who were to make alliances with fellow merchant families.

The Starkes lived in Mincing Lane, in a house built after the recent Great Fire. The premises also served as Thomas’ counting house; I will relate more of this interesting establishment in a subsequent post.

The counting house was the hub of Starke’s business empire; he is first recorded as importing tobacco (24,252lb) from Virginia in 1677. Many of the records regarding his business may be found here. The ships plying the Atlantic to pick up the tobacco did not, of course, travel empty, but carryied over a wide variety of goods to tempt the settlers. On 10 October 1677, one of Starke’s ships – the  Merchant’s Consentset sail for Virginia carrying, amongst other consignments, 2 cwt nails; 10 lbs Norwich stuffs; 5 doz Irish hose; 35 lbs wrought brass; 1 cwt hops; 1 small saddle; 3 castor, 2 felt hats; 3/4cwt haberdashery wares (to a value of  4s 6 1/2d) . On another occasion Starke’s consignment included ‘Indian cargo’ – that is tomahawks to sell to Indians – plus clothing, hardware, flints and gunpowder.

By 1679 Starke was sufficiently prosperous to be admitted as a freeman of the Haberdashers’ Company and by 1686 was the third largest importer of tobacco in London. As the owner of tobacco plantations he would have been well aware of the problem of finding labour to tend the crop; the number of indentured white servants was declining and the importation of slaves from Africa had been interrupted by the 1689 war with the French. In 1692 he found a solution, heading a group of London merchants that petitioned for the right to send a ship (the Concord) to the Guinea coast to transport slaves back to work on their plantations in Chesapeake.  After that, Starke’s ships  – such the Endeavour, African Galley and Two Brothers -regularly plied the triangular route between London, Africa and Virginia. Fortunately for us such ventures frequently did not go to plan and resulted in litigation, because it is in the case reports that details of Starke’s business are laid bare.  For instance in 1698, with others, he charted the African Galley, for a voyage first to Guinea, traveling on to Maryland or Jamaica. However, the ship’s master was very slow in fitting out the vessel and, to compound his disobedience, called in at St Thomas, off the Guinea coast, delaying arrival in Virginia until July 1699, where he then stayed, rather than going directly to Maryland to deliver the Guinea cargo. The case was brought to recover the monies lost because many of the ‘negroes’ died as a result of the delays and because much of the cargo was carried off the ship by the crew and sold for their own benefit. Similarly, in 1700 Starke charted the Two Brothers  for a voyage to Guinea and Virginia., putting on board in London a cargo sufficient to purchase 400 ‘negroes’, There was some dispute and the ship’s master refused to leave until three weeks after ship was ready to sail. As a result, by the time they got to Guinea, they were forced to pay very high prices for the ‘negroes, since many vessels had arrived before them and got the best of the trade. They obtained only 75 slaves, 16 of which [sic not ‘whom’] the master maintained were for his own account’. Starke brought the case because he doubted that he would ever see some of the money earned from the sale of the ‘negroes’. It is now a truism, but the ledgers in that Mincing Lane counting house noted only the financial, not the human, cost.

As luck would have it, it is one of Thomas Starke’s ships, the Henrietta Marie  that has, more than any other project, been responsible for exposing the intimate horrors of the late-17th-century slave trade. The ship left London in September 1699, traveling to the Bight of Biafra, buying there about 235 slaves, of whom 190 survived to disembark at Jamaica on 18 May 1700. The Henrietta Marie was then shipwrecked off Key West, Florida, lying forgotten on the sea bed until 1972, archaeological research finally beginning in 1983.  It is the earliest shipwrecked slave ship to be identified by name and it is this fact that has allowed for extensive archival research – in addition to the study of the recovered artifacts.

Among these many objects are a large number of shackles – which require little explanation – and thousands of glass beads, which perhaps might. Beads were the currency in which slaves were bought.  Thomas Starke had consigned a quantity of these beads to the Henrietta Marie and the bartering had presumably been so effective that the beads brought up the from the sea bed 300 years later were those that were surplus to requirements. Analysis by shape and colour has helped unravel another mystery of the slave trade. Thus, in the ledger in that Mincing Lane counting house, the entry for so many ‘Venetian glass beads’ would have its contra,  ‘negroes’.

Thomas Starke died in 1705, leaving a number of law suits unresolved with which his widow and son were forced to grapple. That son, John, Mariana’s grandfather, may have paid one visit, in 1707, to the 920 acres his father had held in Virginia at the time of his death, but then, c 1710, rejected the West for the East, sailing to India as purser on an East Indian merchantman, Averilla. The motivation is unexplained, but it is salutary to note that in his will, dated 1763, John Starke left £2000 [2012 = £229,000] to the Incorporated Society for the Propagation of the Gospel, specifying that part of the money was to be applied ‘by the Society towards such charitable purposes as they shall judge most efficacious towards converting the savage Indians in our American colonies and late Acquisition’ [ie territory gained up to the Mississippi following victory over the French in 1763]. It seems as though John Starke felt the necessity of making amends – one takes it that conversion to Christianity was intended as a gift – to at least one group affected by his family’s business dealings in North America.

It is hardly worth mentioning that in 2012 we surely know far more about Thomas Starke’s trade and the contents of his ships than his great-grandaughter ever did. But something of his acumen and derring-do – and, I imagine, his irascibility and ruthlessness – may have passed into family legend.

For further reading on the 17th-century slave trade, in which glimpses may be caught of Thomas Starke, see here, here and here.

Copyright

All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 

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