Posts Tagged edith craig

Suffrage Stories: Is This Edith Craig’s Banner For The Catholic Women’s Suffrage Society?

 

 

I was very interested to see this image when it appeared on an internet site the other day because I’m not sure I’ve ever before seen a banner of the Catholic Women’s Suffrage Society.

The Catholic Women’s Suffrage Society was formed in June 1911 and in 1912 Beatrice Anna Augusta Gadsby BA (1878-1973) worked a banner for the society. The fact that she was responsible for the embroidery is mentioned in a 15 May 1939 Nottingham Evening Post report of a pilgrimage by the St Joan Alliance (as the CWSS was now called) to Walsingham. ‘The society’s banner of white, blue and gold headed the procession’, carried by Beatrice Gadsby and Gabrielle Jeffery, the society’s founder.

However, there are no further details of the design of this ‘blue, white and gold banner’. It might be thought that the ‘Joan of Arc’ banner held in the Women’s Library@LSE fitted the bill – its colouring and subject matter certainly do – but this was created, by the Artists’ Suffrage League, in 1908, three years before the founding of the CWSS.

Joan of Arc banner

In my opinion, the banner that was carried in the Walsingham Pilgrimage  is more likely to be that in the photo below. I think it is the one, representing Joan of Arc, that is known to have been designed by Edith Craig and presented to the CWSS by Christopher St John.


And that Beatrice Gadsby was responsible for the embroidery. It’s location – and fate – is now unknown

Besides St Joan, the banner bears the names of ‘Iesus’ and ‘Marie’ down the sides of the banner, the name of the society across the bottom.

I think the occasion on which the photograph was taken was probably the women’s ‘Peace with Ireland Demonstration’, organized by the Women’s Freedom League. It was held on 2 July 1921  and the CWSS, with their banner, are noted as comprising ‘Section C’ of the procession.

The banner was present at the ‘Equal Franchise’ rally in Hyde Park on 3 July 1926, alongside a new banner designed by the artist Gladys Hynes, which bore the society’s new name, The St Joan’s Social and Political Alliance.

 

 

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WALKS/Suffrage Stories: The International Suffrage Shop

Another in my series documenting the places  that would once have been so familiar to both suffragettes and suffragists in the area surrounding the new home of the Women’s Library @ LSE. The main sites once occupied by the International Suffrage Shop have long since been swept away but, as a devotée of  books and bookselling,  I would like to ensure that this brave venture is commemorated.

In 1910 the International Suffrage Shop was  opened by the actress, Sime Seruya in a room on the third floor of 31 Bedford Street, Covent Garden,  lent to her by Edith Craig. In March 1911 the shop moved to spacious new premises – 15 Adam Street – on the south side of the Strand, not far from where Virago ran a bookshop, with which I was associated, in Southampton Street in the late 1980s. (Incidentally, the Virago Bookshop, along with the late-lamented Silver Moon and Sister Write’s in Islington – the latter’s premises now, ironically, a Cook Shop – represented a brief flowering of interest in women-oriented reading material of which the Persephone Bookshop in Lamb’s Conduit Street is now, I think,  the only surviving bricks and mortar representative – at least in London.)

The International Suffrage Shop was described as ‘The Only Feminist Bookshop’ and had on  sale all kinds of feminist as well as general literature, modern plays on social questions, art and children’s books, pictorial posters, badges and newspapers, photographs and postcards.

The shop also acted as a publisher for Cicely Hamilton’s Pageant of Great Women and Margaret Nevinson’s In the Workhouse and its logo is to be found on the (rare) photographs, published separately, of the leading characters – such as Ellen Terry – who took part in the original pageant.

The ISS had a large room – complete with ‘a picture lamp and sheet’ that could be let out for meetings and, positioned so centrally, was a useful place for assignations. For instance, Kate Parry Frye arranged to meet some friends there on the afternoon of 21 November 1911, before going, first, to have tea at the cafe in the Cecil Hotel and then on to a window-smashing demonstration in Parliament Square.

Kate Frye's copy of the flyer for the ISS Benefit Performance of 'The Coronation'

Kate Frye’s copy of the flyer for the ISS Benefit Performance of ‘The Coronation’

Alas it was as difficult then as it is now to make a living through book selling and the International Suffrage Shop was always in financial difficulties. Kate Frye played a leading, if silent, part in Christopher St John’s  banned play, The Coronation, published by the ISS and staged by Edith Craig in January 1912 as a Benefit Performance in aid of the shop. A long description of the occasion can be found in Campaigning for the Vote.

As the WSPU campaign became more physically militant the International Suffrage  Shop, which boasted two very large plate-glass windows, became a prime target for retaliation. Helena Swanwick described how when, one evening, she was attending a meeting at the shop medical students broke in and threw books about. The police, apparently, would do nothing to help. On at least one occasion one of the shop’s windows was broken.

When the Strand was widened in mid-1913 the shop had to move and certainly by the time it was forced to close in April 1918, threatened with bankruptcy, its address was 5 Duke Street, Adelphi (then off Villiers Street). In 1913 it would appear that the original founders had relinquished their connection and that it had been taken over by Miss Adeline West Trim, who had been in charge of the Book-Selling Department from the beginning and had managed to keep the shop open throughout the First World War and who, alas, died soon after, in 1920 aged barely 50.

For other posts in this series see:

Where and What Was the Aldwych Skating Rink ?

Where And What Was Clement’s Inn ?

The St Clement’s Press

Where And What Was the ‘Votes For Women Fellowhip?’

Campaigning for the Vote: Kate Parry Frye’s Suffrage Diary edited by Elizabeth Crawford

For a full description of the book click here

Wrap-around paper covers, 226 pp, over 70 illustrations, all drawn from Kate Frye’s personal archive.

ISBN 978 1903427 75 0

£14.99

Copies available from Francis Boutle Publishers, or from Elizabeth Crawford – e.crawford@sphere20.freeserve.co.uk, from all good bookshops – especially Foyle’s, London Review Bookshop, Persephone Bookshop, British Library Bookshop, Daunt Books, The National Archives Bookshop and Newham Bookshop. Also online – especially recommend very favourable price offered by Foyle’s Online (and they pay all taxes!)

 

Campaigning for the Vote cover‘Campaigning for the Vote’ – Front and back cover of wrappers

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Kate Frye’s Suffrage Diary: Palmist At The Women’s Freedom League Bazaar

WFL BazaarBy 1909 Kate Frye was keenly involved – as a volunteer – in the women’s suffrage campaign. Although she belonged to the constitutional London Society for Women’s Suffrage she was happy to give her services to other, more militant,  suffrage societies – such as the Women’s Freedom League.

Dramatis Personae for these entries

Marie Lawson (1881-1975) was a leading member of the WFL. An effective businesswoman, in 1909 she formed the Minerva Publishing Co. to produce the WFL’s weekly paper, The Vote.

May Whitty (1865-1948) and Ben Webster (1864-1947) were a well-established theatrical coupleKate had toured with May Whitty in a production of J.M. Barrie’s Quality Street in 1903.

Ellen Terry (1847-1928) the leading Shakesperean actress of her age.

Edith Craig (1869-1947) theatre director, producer, costume designer, and a very active member of the Actresses’ Franchise League.  She staged a number of spectacles for suffrage societies, working particularly closely with the Suffrage Atelier and the Women’s Freedom League. In January 1912 Kate appeared in Edith Craig’s production of The Coronation.

Lena Ashwell (1862-1957) actress, manager of the Kingsway Theatre, a vice-president of the Actresses’ Franchise League and a tax resister.

Thursday April 15th 1909 [The Plat, Bourne End]

I went up to London at 9.50 all in my best. Went to Smiths to leave the books – then straight from Praed St to St James Park by train and to the Caxton Hall for the 1st day of the Women’s Freedom League Bazaar. Got there about 11.30  – everything in an uproar, of course. I had to find out who was in authority over me and where I was to go to do my Palmistry. I had to find a Miss Marie Lawson first and then was taken to a lady who had charge of my department and she arranged where I was to go. A most miserable place it seemed – in a gallery overlooking the refreshment room. I meant to have gone out to have a meal first – but it all took me so long running about getting an extra chair etc that I should have missed the opening. Then another Palmist hurried up – the real thing who donned a red robe. I was jealous. Madame Yenda.

Kate kept Madame La Yenda's card within the pages of her diary

Kate kept Madame Yenda’s card within the pages of her diary

We got on very well, however, and exchanged cards (I have had some printed) it was all about as funny as anything I have ever done and I have had some experiences.

Then I went back to the main room which was beginning to get thronged and stifling from the smell of flash- light photographs. I discovered Miss May Whitty and Mr Ben Webster and chatted to them while we waited for Miss Ellen Terry who was half an hour late. Miss Whitty was awfully nice and I quite enjoyed meeting her again. Ellen Terry looked glorious in 15th century costume and was very gay and larkish. Her daughter Edith Craig was there to look after and prompt her – and ‘mother’ her – what a mother to have had. I expect she had to pay for it. She is a sweet-looking woman with a most clever face – only a tiny shade of her Mother in it but Ellen Terry took the shine out of everyone – what a face to be sure. When she went round the stalls I went to the Balcony and for a little time Madame Yenda and I tried to work up there together but it was impossible. All my clients had to disturb her as they walked to and fro so at last I came out to find 3 more Palmists waiting and nowhere for them to work. One, a real professional, was very cross especially at the small fee being charged and I don’t think she could have been there long. Two other girls, looking real amateurs, were also there. So I sat a while at a table outside and told a few but it wasn’t very satisfactory and at 2 o’clock I went out for some lunch leaving the four others there. I went into a Lyons place in Victoria Street and then went back a little before 3 o’clock meaning to have a look round the Bazaar but I was pounced on to begin again and I was alone at it all the afternoon from 3 till 5.45 up in the gallery. I was left at it with sometimes just a few minutes in between but must have told 40 hands I should say. I did about 7 or 8 before 2 o’clock. We were only supposed to give 10 minutes at the outside but I could not quite limit myself and sometimes, when there wasn’t a rush, I had long talks with the people. It was very interesting and on the whole I think I was successful. Train to Praed St and to Smiths for the books and home by the 6.45.

 Friday April 16th 1909 [The Plat, Bourne End]

Ribbon from the WFL Bazaar carefully preserved by Kate

Ribbon from the WFL Bazaar carefully preserved by Kate

I went straight to Caxton Hall by train from Praed St to St James’s Park – left some flowers at the flower stall. Mother had packed up some lovely bunches for me. Then I went up to the l[ondon] S[ociety] for W[omen’s] S[uffrage] office on business connected with the Demonstration – then back to the Caxton Hall for the opening of the Green White and Gold Fair on the second day. Miss Lena Ashwell was punctual 12 o’clock and she looked delicious and did it all so nicely. Madame Yenda was there but no other Palmists. My chatty friend, who greeted me rapturously, helped fix up the gallery a much nicer place – but clients did not come very early -they were all following Lena Ashwell – so I had 1/- from Madame Yenda myself. I think she was clever but, of course, I am rather a hard critic at it. She told me a great many things I know to be absolutely true and she gave me some good advice especially about morbid introspective thoughts and I think she is quite right. I do over worry. I am to beware of scandal which is all round me just now. She predicts a broken engagement, a rich alliance and always heaps of money. I should have immense artistic success in my profession if only I had more confidence in myself and if only I had some favourable influence (a sort of back patter, I take it) to help me but such an influence is far away. I shall never live a calm uneventful existence. I shall always spend so much of myself with and for others. I am rather glad of that. I was just beginning to tell her her hand but I wouldn’t let her pay as she told me she was very poor and I could see it when some clients came for us both and we both had to start our work.

I didn’t feel a bit inclined for work at first but got into it and had wonderful success. Kept on till 2 o’clock – went to the Army and Navy Stores then and had some fish for lunch – then back – saw the ‘Prison Cell’ for 5 and was very interested – then started work at 2.45 and never moved off my chair till 6.15. I did have an afternoon of it. Madame Yenda had gone and I was alone in my glory. I must have had quite another 40 people if not more and they were waiting in line to come in to me. I seem to delight some of the people and one or two said I quite made them believe in Palmistry. One old lady came back for another shill’oth [shilling’s worth] as I had been so good with her past and present she wanted her future. I must have been very clairvoyant as I told the people extraordinary things sometimes and they said I was ‘true’. Of course one or two I could not make much headway with but that must always be so.

Where I found I had missed my train I wanted to go on but my chatty friend was really awfully decent and would not hear of it. She said if I would tell one man who had been waiting ever so long that was all I must do and she would send the others away. There were about 18 waiting and she did – rather to my relief. I felt ‘done’

Campaigning for the Vote: Kate Parry Frye’s Suffrage Diary edited by Elizabeth Crawford

For a full description of the book click here

Wrap-around paper covers, 226 pp, over 70 illustrations, all drawn from Kate Frye’s personal archive.

ISBN 978 1903427 75 0

NOW, ALAS, OUT OF PRINT.

KATE FRYE’S DIARIES AND ASSOCIATED PAPERS ARE NOW HELD BY ROYAL HOLLOWA COLLEGE ARCHIVE

'Campaigning for the Vote' - Front and back cover of wrappers
‘Campaigning for the Vote’ – Front and back cover of wrappers

 

You can listen here to a talk I gave in the House of Commons – ‘Campaigning for the Vote: From MP’s Daughter to Suffrage Organiser: the diary of Kate Parry Frye’.

Copyright

All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

 

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