Kate Frye’s Diary: The Lead-Up To War: 16 July 1914

On 7 August 2014 ITV will publish an e-book, Kate Parry Frye: The Long Life of an Edwardian Actress and Suffragette.  Based on her prodigious diary, this is my account of Kate Frye’s life and is a tie-in with the forthcoming ITV series ‘The Great War: The People’s Story’. For details of the TV series and its accompanying books see here.

KateAs a lead-up to publication I thought I’d share with you some entries from Kate’s diary from the month before the outbreak of war. Through her day-to-day experience we can see how the war stole up on one Everywoman.

Kate was at this time 36 years old, living in a room at 49 Claverton Street in Pimlico and working in the Knightsbridge headquarters of the New Constitutional Society for Women’s Suffrage. It was now nine years since she had become engaged to (minor) actor John Collins. Her father died in March 1914 and her mother and sister, Agnes, now all but penniless, are living in rented rooms in Worthing. John has a room along Claverton Street, at number 11.

Thursday July 16th 1914

Jobs and writing. John in in the morning. Out together at 1.30 and lunch at Slaters. Bus to the Office and John went in with a message and then joined me at the Tube and we went to Hammersmith and then train to Isleworth and we bill distributed until 6. It was very hot and we both got so tired. John was quite exhausted – says he couldn’t do my work. We got the Townsfolk – the Brewery people and the Pears soap people so did it thoroughly – 1000 handbills.

Then train to Hammersmith and just caught a nonstop train to Victoria and rushed in to change. Got in 7.45 – and was out again at 8 in my best and we went as hard as we could to the Shaftesbury Theatre to see ‘The Cinema Star’. Had Dress Circle seats. We were about 10 minutes late, but really we had enough. It is rot and there is very little real fun. It is a long time since I saw a London Musical comedy. I don’t think they improve. Miss Ward and Miss Cicely Courtneidge were the stars.

Supper at the Corner House. I felt deadly tired. All the world is now mad over prize fighting – Gunboat Smith v Carpentier. It was a sort of Mafeking night. We caught the 12.10 train from Charing Cross. Had to walk from Victoria and got in at 12.45.

 

Image courtesy of London Borough of Hounslow website

Image courtesy of London Borough of Hounslow website

Kate and John presumably stood at the Pears Soap factory gates, handing out handbills advertising the ‘Votes for Women’ meeting the New Constitutional Society was holding the next day in  Upper Square, Isleworth. The brewery they also canvassed was probably the Isleworth Brewery in St John’s Road.

”The Cinema Star’ had opened on 4 June and starred Jack Hulbert and Fay Compton as well as Cicely Courtneidge and Dorothy Ward.  The Shaftesbury Theatre was owned by Cicely Courtneidge’s father. With Harry Graham, Jack Hulbert had adapted the play from a German comic opera, ‘Die Kino-Konigin’, and it played very successfully, despite Kate’s verdict of ‘rot’, until the outbreak when anti-German sentiment resulted in its abrupt closure. Cicely Courtneidge and Jack Hulbert married in 1916.

Carpentier and Gunboat Smith (image courtesy of boxingshots.tumblr.com)

Carpentier (left) and Gunboat Smith fighting on 16 July 1914 (image courtesy of boxingshots.tumblr.com)

The American boxer, Gunboat Smith, had that evening fought the French champion, Georges Carpentier, at Olympia for the ‘White World Heavyweight Championship’. Smith was disqualified in the sixth round. Kate had good reason to describe street celebrations as ‘a sort of Mafeking night’. She had been in the Criterion Theatre on 18 May 1900 – when the relief of Mafeking was announced during an interval. By the time she left the theatre the streets of London were, as she put it, ‘alive with revelry’. You will be able to read all about Kate’s early life in the forthcoming e-book.

See also  Campaigning for the Vote: Kate Parry Frye’s Suffrage Diary.

Copyright

All the articles on Woman and Her Sphere and are my copyright. An article may not be reproduced in any medium without my permission and full acknowledgement. You are welcome to cite or quote from an article provided you give full acknowledgement.

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