With Ann Dingsdale and Jane Grant I shall be talking suffrage at LSE today – entry free, unticketed – just come along – see here for details.
Last year I was delighted when The Women’s Library@LSE asked if I would help to shape an exhibition planned to celebrate the 150th anniversary of the presentation of the first women’s suffrage petition on 7 June 1866. Ever since discovering a printed copy of that petition on a stall in the Portobello Road over 25 years ago I have been very fond of all it represented and of the treasury of names it contains, so it was a particular pleasure to be asked to suggest ways of highlighting its importance.
The LSE team (Indy Bhullar, Heather Dawson, Gillian Murphy and Eleanor Payne) and I had several very enjoyable and productive meetings during which we selected items to include in the exhibition and brainstormed ideas for the moving background to the main showcase and for wallboards. It is a real pleasure to be able to show items of what we now know to call ‘material culture’ – such as Lydia Becker’s dress and Millicent Fawcett’s gladstone bag – alongside the very letters in which the idea for the petition developed. The personal adds particularity to the political.
In addition, the descendants of the couple to whom I sold that printed copy of the petition have been kind enough to lend it to the exhibition. It is the only known copy other than that held in Girton Archives. The latter was Emily Davies’ own copy and it was she who had organised its printing. What became of the hundreds of others that Miss Davies arranged to be sent to all newspaper editiors, MPs and members of the House of Lords? Straight into the wastepaper basket I shouldn’t wonder.
The LSE designer has done an excellent job of translating our ideas for demonstrating the range both geographically and socially of the women who signed the petition and of giving a clear rendering of the complicated ‘family tree’ of suffrage societies that carried the campaign from 1866 to 1928 and then, in the shape of the Fawcett Society, on into 2016.
For the ‘1866 petition’ part of the exhibition morphs into a celebration of the Fawcett Society, which traces its foundation back to 1866 and is, therefore, this year celebrating its 150th anniversary. To mark the occasion Jane Grant has written a history of the Fawcett Society, In the Steps of Exceptional Women – for full details see here.
To accompany ‘Endless Endeavours’ The Women’s Library@LSE has launched a Flickr Album, which includes scans of many of the letters that flew backwards and forwards as the idea for the petition gathered momentum, as well as of the personalities attracted to the campaign and artefacts produced over the years.
One of the most beautiful of the latter is a brooch that recently surfaced in the Fawcett Society office. It was presented to Millicent Fawcett in 1913 and is rendered in the NUWSS colours of red, white and green. For a lively account of why, where and how the brooch was presented see here. This is a real piece of ‘suffrage jewellery’ – to put all the spurious examples so catalogued by auction houses, Ebay etc in the shade. [For my gripe about the mis-cataloguing of suffragette jewellery see here.]
For full details of the ‘Endless Endeavours’ exhibition see here.
STOP PRESS 7 June 2016 I have just discovered a studio photograph by the celebrated photograper Lena Connell that shows Millicent Fawcett wearing the Fawcett Society ‘brooch’ as a pendant. She was making her ass ociation with the NUWSS visible.